Warner Bros.
A Nightmare on Elm Street
It refers to both the literal, fatal nightmares experienced by the characters in the film, and the figurative nightmare of having to sit through this embarrassingly boring work of rubbish.
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The Blind Side
I was in awe of this movie; stunned. Stunned that it had made it to the big screen, let alone the Oscars. The Blind Side is just not good filmmaking.
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Clash of the Titans
Is it wrong to fault a movie like Clash of the Titans for not making sense? It feels wrong. It is wrong, however, to make a movie like Clash of the Titans uninvolving. Which it is.
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Valentine’s Day
There comes a moment in many director’s lives when film making becomes accountancy. Valentine’s Day is that moment.
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Edge Of Darkness
The Edge of Darkness is Mel’s first film in seven years, they announce like they’re not ashamed, and they’ve brought him out of cryonic storage to punch and pistol-whip sissies in the name of family values.
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Invictus
Touching and brilliant acted, Invictus stands up as both an example of Eastwood’s superior directorial instinct, and part of a larger narrative about one of the most influential leaders in the history of the twentieth century.
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Where The Wild Things Are
Where The Wild Things Are is a splendid adventure, a passionate escape from the realities of life that endears itself to audiences of all ages.
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Sherlock Holmes
Ritchie has become known for his slightly off-beat films (when not helming catastrophic vanity projects), but there are few hints of anything outside of mainstream filmmaking in Sherlock Holmes.
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The Informant!
Steven Soderbergh takes us on an altogether more cynical and often sarcastic journey through what could have been the biggest corporate scandal in modern American history.
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Going the Distance
Going the Distance is a sharp romantic comedy that paints a truthful and funny picture of what it’s like to have a long distance relationship.
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