Artificial Eye
45 Years
“The wild places are where we began. When they end, so do we” – David R. Brower, environmentalist
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Amour
With Amour, you will remember the film, and you will remember the emotions, and there will be no humiliation in the crying.
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Route Irish
It’s a good tale, but a shame that so many elements conspire to make the end result a little too hard going.
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Gorbaciof
Casting Toni Servillo these days is becoming something of a short-hand for a sympathetic but highly flawed character.
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Archipelago
With her second feature film, Joanna Hogg has cemented her position alongside the likes of Andrea Arnold as a key figure in British cinema.
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We Are What We Are
With an opening that evokes a post-apocalyptic atmosphere, We Are What We Are begins with a suitably eerie tone.
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Winter’s Bone
Winter’s Bone is an intimate and authentic tale that shines a light on a corner of America that rarely gets placed under the microscope.
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Certified Copy
Juliette Binoche is stunning; mature, sexy and wildly erratic in a way that makes me wonder why she hasn’t played more mad women in attics.
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Lourdes
It’s a movie that utilizes and plays with the possibilities and conventions of cinema, that challenges your preconceived notions, that actually changes you, changes your brain, like a great piece of literature.
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Life During Wartime
Nothing is really much different, except Life in Wartime is not quite as enjoyable as Happiness. It doesn’t feel as twisted, dark, or shatteringly hilarious.
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