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Toy Story 3
Toy Story 3

The Toy Story series has been unusual in its consistently high level of quality, and when the box-set comes out it deserves to earn pride of place in any family film library.
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REVIEW
★★★★★
20 November 2010
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The Karate Kid
The Karate Kid

Whether it’s the good v evil, the battling against adversity, the morals or the outlook it leaves you with, it’s just one of those films that stays with you.
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REVIEW
★★★★☆
20 November 2010
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Heartbreaker
Heartbreaker

Excellent pacing, fine set pieces, a few good jokes and a couple of beguiling performances left me, eventually, shamefully, seduced.
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REVIEW
★★★☆☆
20 November 2010
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Involuntary
Involuntary

In the past few years Swedish culture has become something of a byword for arty, intelligent filmmaking.
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REVIEW
★★★★☆
13 November 2010
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Get Him To The Greek
Get Him To The Greek

Although the template of the film is the same tired routine, a refreshing, lyrical Russell Brand gives new energy to a weary format.
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REVIEW
★★★½☆
30 October 2010
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Iron Man 2
Iron Man 2

The line between the actor and the character is blurring, and it’s arguable whether John Favreau’s second film is any good, or just another thrilling dosage of Downey Jr. at his finest
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REVIEW
★★★☆☆
24 October 2010
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A Nightmare on Elm Street
A Nightmare on Elm Street

It refers to both the literal, fatal nightmares experienced by the characters in the film, and the figurative nightmare of having to sit through this embarrassingly boring work of rubbish.
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REVIEW
★½☆☆☆
24 October 2010
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Paranormal Activity 2
Paranormal Activity 2

Paranormal Activity 2 luckily avoids the misjudgements of its closest relative, the stupendously awful Blair Witch Project 2: Book of Shadows by sticking to the format of candid footage and plausibly connected characters.
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REVIEW
★★★☆☆
24 October 2010
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The Stoning of Soraya M
The Stoning of Soraya M

The Stoning of Soraya M tells the story of the true events leading up to the stoning of an innocent woman in Iran in 1986.
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REVIEW
★★★★★
23 October 2010
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Sensation
Sensation

Sensation starts as it means to go on, by confronting the viewer with banal intimacies of ordinary life and daring them to look away.
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REVIEW
★★½☆☆
19 October 2010
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