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Oranges and Sunshine
Oranges and Sunshine examines a truly shocking episode in British history, and it would be impossible not to be moved by the story that unfolds here.
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The Silent House
‘Real Fear in Real Time’, reads the tagline, and for once it’s an accurate marketing shtick.
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The American
In Corbijn’s first film since Control, he delivers a thoughtful, engaging and skilfully crafted thriller.
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Made in Dagenham
The pride with which it was made is clear to see, for British cinema and for a hundred and eighty seven of Dagenham’s finest.
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Machete
If the concept of exploitation cinema doesn’t float your boat then this may convince you otherwise.
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The Kids Are All Right
Nic and Jules (Annette Bening and Julianne Moore) are a middle-aged, long-term lesbian couple in California with two teenage children conceived through artificial insemination.
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We Are What We Are
With an opening that evokes a post-apocalyptic atmosphere, We Are What We Are begins with a suitably eerie tone.
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I Spit On Your Grave
The original I Spit On Your Grave, initially titled Day of the Women by writer/director Meir Zarchi, was one of the most controversial rape-revenge films of the exploitation genre.
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Let Me In
Let Me In had many positive aspects, and perhaps you should never judge a film in comparison – but, the truth is, I’ve seen a better version of this film already.
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The Social Network
Clearly The Social Network is not your average film. It’s about a phenomenon so recent that we’re still living it, and one that has percolated down to how we relate to our peers on an everyday level, whether we like it or not.
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